The Embroiderers’ Guild Exhibition Takes Flight at the Smith
Our latest exhibition is now on display in Gallery 1: Flights of Fancy by The Stirling & Districts Embroiderers’ Guild. Early in the year, the Guild was preparing for a showcase of works created around the themes of flight and dream. However, this theme took on new meaning for members
Dutch Art Exhibition on ArtUK
The closure of museums has prompted ArtUK to create a new tool for curating virtual exhibitions using artwork from collections across the UK. Since the Stirling Smith’s exhibiting exhibition programme for 2020 has been delayed, we thought we would test this new ‘Curations’ tool out with an exhibition looking at
Treasures of the Smith Exhibition
Friday, 26 June 2015 was the long anticipated launch of the Stirling Smith’s own summer exhibition. The exhibition looks at the range, quality and importance of the collections. Stirling-based artists such as Hugh Green and Denovan Adam are on display beside many popular and pieces of art relating to Stirling.
The Washer Men of Cowie Colliery
The Polmaise Colliery exhibition continues at the Smith. This photograph is from Cowie Colliery, located in Bannockburn. It opened in 1894, ten years earlier than Polmaise, and closed in 1953.The image dates from the 1920s and is of the men who tended the machines which washed the dust from
Tantalising Textiles Exhibition
This exhibition by the Turning Point group of textile artists, is on at the Stirling Smith until Sunday. The Stirling Smith Art Gallery and Museum is fortunate to be the home of the Neish Collection of British Pewter. The textile artists have taken the Neish Collection as a source of
Oswald and Friend, Ailsa Black
The Ailsa Black exhibition featuring beasts both wild and domestic finishes this week. One beast which will be remaining in the Stirling Smith’s collection is Ailsa’s whimsical portrait of cat-in-charge Oswald. The painting has been purchased by an anonymous benefactor as a tribute to all of the marketing and publicity
Boo Haughton, Mines Rescue Service
Bill “Boo” Haughton of Fallin first qualified as a miner in 1970, and went on to train as a developer and driver, opening up new coal seams, and in the specialist work of the Mines Rescue Service. He was photographed by John McPake at the opening of the Battle for
Out of Time, David Paterson Photography
The stones tell us that humans have long been capable great feats of strength and organisation, and that they have been engaged since the beginning in a search for meaning and spirituality. These monuments speak directly to us and though we may no longer understand their language, we feel their
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